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gave him a screen test and a contract at $200 a week.
He paid his dues in supporting roles in “Towards the Unknown,” “The Girl He Left Behind” and “Shootout at Medicine Bend” as well as some TV assignments.
He had his greatest impact in television, first on “Maverick” in the ’50s and then in the ’70s on “The Rockford Files,” for which he won an Emmy in 1977.
He later appeared in several quality telepics including “Promise,” “My Name Is Bill W.” and “Barbarians at the Gate,” as well as the occasional strong feature such as “Victor/Victoria” and “Murphy’s Romance,” for which he captured his sole Oscar nomination for lead actor.
APPRECIATION: James Garner Gracefully Bore the Weight of Stardom Garner found his way to showbiz through a friend, theater producer Paul Gregory: He was employed cueing actor Lloyd Nolan during rehearsals of the Broadway-bound “The Caine Mutiny Court Martial.” Garner eventually copped a nonspeaking role in the 1954 production, where, he said, he closely studied the play’s star, Henry Fonda.
After studying with Herbert Berghof, Garner landed a role in the touring production of “Caine.” Back in Los Angeles in 1955, he secured bit parts in the TV series “Cheyenne.” Impressed, Warner Bros.
He was first really noticeable in a role as Marlon Brando’s pal in “Sayonara,” after which he was assigned a supporting role in “Darby’s Rangers.” When “Darby’s” lead Charlton Heston walked off the film, Garner inherited his first starring role, but reviews were mixed.
The real boost to his career came in a role now indelibly associated with him, that of Bret Maverick in the comedic Western that ABC debuted in 1957; the role and the series fit his wry personality like a glove.
Inside the Actors Studio is an American television show on the Bravo cable television channel, hosted by James Lipton.
It is produced and directed by Jeff Wurtz; the executive producer is James Lipton.
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